The decorative art of cutting designs into
bark, parchment, fabric and paper has existed for thousands
of years. The earliest cuttings with Hebrew letters and
Jewish symbols were created in Holland and Italy in the 17th
century, in paper and parchment. Traditionally, Jewish
papercutting was created by using a knife and a sheet of
paper folded in half. These early cuttings were done as
decorative work on Ketubot (Jewish marriage contracts) and
as scenes depicting the story of Esther on the scroll of
Esther, read on the holiday of Purim.
As paper became more accessible in the 19th century,
papercutting became more popular as a folk art throughout
the Jewish communities of North Africa, Europe and the Pale
of Settlement. In Eastern Europe, papercut Mizrahim
(decorative wall hangings for the Eastern wall of a home,
facing Jerusalem) were often seen, as were papercut Simchat
Torah flags and papercut birthing amulets. Between the 19th
century and the mid-20th century, small flower- shaped
papercuts (royselach) were used to decorate windows on the
holiday of Shavuot in Russia and Poland. Unfortunately,
because of the transient nature of the materials used and
because of historical events, not many papercuts from the
17th, 18th, and 19th centuries survive.
European papercut artists brought their talents to the
United States in the 19th century and therefore, traditional
Jewish papercuts can be found with many American symbols
from that era. Jewish papercutting has revived as a
decorative folk art in the last thirty years.